With high school hockey playoffs underway this week, PDD takes a look back 30 years to Denfeld’s first trip to the Minnesota State High School Hockey Tournament. The video above includes TV news clips of Denfeld’s Section 2 playoff wins (2-1 over Duluth East, 8-2 over St. Cloud Apollo and 6-2 over Anoka). The photo at left is from the victory over Anoka, shot by John Rott of the Duluth News Tribune (as featured in the DNT archives).
Safe at Home
Somewhere at sea: Two landing craft ease their way — side by side — through the wide opening at the stern of the USS Duluth. The craft employs almost all the room available on coming aboard. After the boats are tied down, the ballast tanks are emptied and the wall is drained.
(U.S. Navy photo via United Press International)
When it comes to picking the best indoor concert venue, there are a lot of things to consider — seating, acoustics, general vibe, etc. There might be plenty of room for argument on just about any criteria, but in one facet Duluth has a clear winner. It would be tough to dispute that any local concert hall, club or coffee house has consistently brought more high-caliber talent to its stage in the past two years than the Red Herring Lounge. Among the top four in PDD’s poll, the Herring pulled out a clean win with 35 percent of the vote.
It looks like the postmark on this card to Emily Jackson of Albert Lea might be from the year 1909. The day is clearly July 26.
Last summer a PDD poll determined Bayfront Festival Park is the region’s best outdoor concert venue. Now, in the dead of winter, it’s time to determine the best indoor concert venue. From large arenas to tiny little barrooms and coffee joints — what is the best place for live music in the Twin Ports?
This poll is now closed. The results were:
Red Herring Lounge – 35 percent
Sacred Heart Music Center – 26 percent
Clyde Iron Works – 21 percent
R.T. Quinlan’s – 18 percent
The subject of The Louie Show, Louie Anderson’s 1996 TV situation comedy set in Duluth, was covered fairly in-depth on PDD two years ago, but we mark the 20th anniversary of the airing of the first episode with a few updates. Particularly, there’s the discovery of the Louie Anderson interview above, conducted by KDLH-TV’s Joe Thornton, which aired during the 10 p.m. newscast following episode #2.
Aerial Bridge Over Ship Canal, Duluth, Minn.
Only one of its kind in the world; clear span, 400 ft.; clear height 136 ft.; total height above water 186 ft.; size of car 34×50 ft.; capacity of car, 125,000 lbs.; motive power, electricity; speed, 4 miles per hour.
Renegade Theater Company has earned its second consecutive Perfect Play or Musical plaque, this time for a dramatic musical that marked the centennial of the tragic sinking of the SS Eastland. The 1915 shipwreck resulted in the death of 844 passengers, the largest loss of life from a single shipwreck on the Great Lakes.
Titled Eastland: A New Musical, the play was partially inspired by Jay Bonansinga’s 2004 historical novel The Sinking of the Eastland: America’s Forgotten Tragedy. The show debuted in 2012 at the Lookingglass Theater in Chicago. Renegade’s staging in August 2015 was just the second professional production of the haunting musical written by Andrew White, with a folk, blues and ragtime score by Ben Sussman and Andre Pluess.
Mike Simonson had a project planned for his retirement. That was the type of guy he was. I’d never heard him talk about retiring, and then the first time he mentions it he’s laying out a plan to produce an epic radio documentary about the St. Louis River … for fun.
I wasn’t surprised Mike had no intention of slowing down after four decades in journalism — a journey he started at the Denfeld Criterion in the mid-1970s, continued at various commercial radio stations during the 1980s, and concluded with a 24-year stint as Wisconsin Public Radio’s northwestern region correspondent at KUWS-FM in Superior. And maybe the topic of the St. Louis River shouldn’t have surprised me either. Mike lived on the river for most of his life, and routinely swam across Stryker Bay for fitness and pleasure.
Still, I was blown away by the idea. Mike had chosen documentary topics in the past that seemed broad, but by comparison were quite specific — Forever Ace: The Richard Bong Story (2012) and We Are Holding Our Own: The Sinking of the Edmund Fitzgerald (1995).
Now the St. Louis River? That’s basically the entire history of Duluth, Superior and all the communities that line the 192-mile waterway. It would take an episode to cover the geology alone. The early Anishinaabe-Ojibwe history could be a multi-part documentary by itself. The fur trade, shipping and shipbuilding, the formation of Duluth’s western neighborhoods, industries too numerous to mention, environmental degradation, cleanup efforts, revitalization, wild-rice restoration, fishing and recreation and on and on — there’s just too much story. I was in awe of the idea while flabbergasted at the notion of even Mike Simonson attempting to pull it off.
From George F. Cram’s Atlas, published in 1887.
Which Duluth-area theater production made your little Greek mask laugh or weep the most last year?
This poll has closed. The results were:
Renegade Theater Company’s Eastland – 44 percent
Duluth Playhouse Children’s Theatre’s Shrek – 31 percent
Duluth Playhouse’s Mary Poppins – 25 percent
Before we launch PDD’s poll to determine the best play or musical of 2015, we present this list of every play or musical from the past year we could track down, with the hope that you’ll let us know in the comments if we’ve forgotten any.
Avenue Q – The Underground
Banning Around the Christmas Tree, or, The Last Noel of Don Ness – Rubber Chicken Theater
The Barber of Seville – Lyric Opera of the North
Behind the Shining Star – Duluth Playhouse Theatre for Young Audiences
The Birds – Renegade Theater Company
Blithe Spirit – St. Scholastica Theatre
The latest evidence of the ubiquity of Alan Sparhawk: Not only did his band Low gain the most votes in PDD’s poll to determine the best local album of 2015 for its release Ones and Sixes, Sparhawk also produced the Social Disaster album Dark Side of the Roller Rink, which finished a close second in the voting.
But that’s kind of what we expect from the icon of Duluth’s music scene.
For Low’s 11th studio album — its fourth on the Seattle-based Sub Pop Records label — the band teamed with producer BJ Burton and recorded at April Base Studios in Eau Claire. As usual, Sparhawk handles the guitar work and shares vocals with his wife, drummer Mimi Parker. It’s their third album with bassist Steve Garrington.
Ones and Sixes is perhaps the band’s most spiritual-sounding music yet, though not in a denominational sort of way. The songs are filled with soul and strain. Like every Low album, critics have labeled it a departure, while at the same time noting it’s unmistakably Low. Perhaps therein lies the soul and strain. When music critics have a tough time putting a finger on it, it’s usually a great thing that’s happening in the headphones.
