There’s nothing quite like kicking back to quaff a cold beer in the summertime. The warmest season ushers in plenty of chances for those craving craft brews to get outside, sit back and sample suds. We’ve done the legwork for you and compiled a list of some of the top tasting events and beer festivals in the Twin Ports area.
At around 8 a.m. on June 22, 2007, a fire started in a waste conveyor machine at True North Cedar‘s manufacturing building on the Duluth Harbor. Employees attempted to fight the fire, but it was fed by sawdust and spread quickly. The warehouse, several boats and various equipment was quickly consumed in a huge smokey blaze.
Firefighters arrived at 8:17 a.m., but were unable to get hoses going until 8:50. It took a little more than an hour to put the fire out once water was available.
In the pilot episode of a new “musical series aiming to explore sources of inspiration and intrigue,” Minneapolis-based soft-noise artist Todd Luffa performs on the beach at Minnesota Point in Duluth.
The Lyte Source series was created by director Gordon Byrd and producer Aubree Miller of Minneapolis, who “aim to bring performances to settings too intimate or bizarre for audiences to normally inhabit. To capture a sensory experience and transform it into a unique collaboration.”
A group of history hikers follow the old incline railway stairs down Observation Hill.
A hidden stairway, once connected to a long-gone incline rail service between Downtown Duluth and its hilltop neighborhoods, is being celebrated by an organization that would like to see it designated a historic walking trail.
The Duluth Preservation Alliance led an Observation Hill history walk on May 31 over remnants of the 126-year-old incline stairs. More than 50 people attended the event and made the steep, downhill jaunt from Skyline Drive to Superior Street.
The Incline Plane Railway, a tram system operated by the Duluth Street Railway Company, began service in 1891. It carried passengers from a housing development at the top of the hillside into the downtown along Seventh Avenue West.
Jay Sonnenburg found this photo in his grandfather’s collection. It shows Denfeld High School under construction on the lower edge, which puts the year of the image around 1926. The groundbreaking ceremony for the building was held March 6, 1925; it opened for classes on Sept. 8, 1926.
The most diverse workplace I have ever known was a nursing home kitchen with workers from age 18 to 82 of many races and genders.
Kitchens breed a complex affection. We saw each other every day, taking two or more meals together. I developed favorite coworkers — the washers who will plow through the dishes quickly, not the washers who realize they are paid the same no matter how many plates they wash in an hour. We celebrated each other’s joys. The cook might bake a small cake to celebrate a staff wedding, or streamers might appear outside the dietitian’s office on her birthday. On Friday we might go drinking — it was a special challenge to pressure the people working the dinner shift on Friday and the breakfast shift on Saturday to do a “turn and burn.”
It was on one of those Fridays that my coworker Erin told us she was pregnant, that it was unplanned and unwanted, and that she didn’t know what to do. She was likely, she said, to have an abortion.
On another Friday, in my home, maybe a week or so later, I had friends over — friends from both the kitchen and from college. I was 21, I was broke, and I was teased mercilessly for serving Milwaukee’s Best beer. Erin drank three of them in an hour, which I know wouldn’t make a koala bear tipsy. Nonetheless, I was young, I was stupid, and so I said to her: “You’re drinking?” I wasn’t sure she was 21 even, but I was sure she was pregnant.
Patricia Canelake is a painter and teacher who creates large, colorful paintings that combine figurative drawing with the spontaneous drips, layers and other effects of paint.
P.C.: My aesthetic is an aesthetic of attraction — both obvious and mysterious. Simple figurative, and animal subjects, leashed and unleashed, are the subjects of my work. That push and pull are recognizable experiences. My painting style is a fine balance between storytelling and the rough elegance of form, line and color.