[Editor’s note: For this week’s essay we’ve once again pulled out a relic from the archive of Slim Goodbuzz, who served as Duluth’s “booze connoisseur” from 1999 to 2009. Twenty years ago the Sultan of Sot paid a visit to Lost in the ’50s, 1809 N. Third St. in Superior, and composed this article for the December 2004 edition of the Ripsaw, which was the last issue of the publication in its monthly magazine format.]

Of the five bars located at the receptacle end of Tower Avenue, Lost in the ’50s is the shyest and most understated. Other bars in the neighborhood are known for their horseshoes or their burgers or for being a place to quietly drink yourself to death. Lost in the ’50s offers cheap drinks, a decent juke, bad karaoke and, as the name would suggest, a smattering of velvet Elvis art. For some reason, few people bother to take them up on the offer.

Location has as much to do with it as anything else. The layout of the Tower Avenue/North Third Street intersection tends to lead the drunken eye to the east, away from Lost in the ’50s and toward more dubious places, like Jo D’s Corner Oasis, JT’s or the deathly Tom’s Cedar Lounge. Besides, most people, once they get as far as the Anchor or maybe Molly’s, don’t even think of venturing any farther, because they assume they have all they need. They’re wrong, and I’m going to tell you why.

[Editor’s note: For this week’s essay we’ve once again pulled out a relic from the archive of Slim Goodbuzz, who served as Duluth’s “booze connoisseur” from 1999 to 2009. One of Slim’s favorite old stops was Molly’s Tavern in Superior, which had a sign outside promising “dancing & sandwiches,” neither of which could be found inside. The bar closed in 2005 and later became Tower Avenue Tavern. Twenty years ago the Sultan of Sot paid a visit to Molly’s and wrote the article below for the Jan. 22, 2003 issue of the Ripsaw newspaper.]

Whenever I find myself at Molly’s, I’m usually there to “finish up.” Usually, it’s late, I’m half in the bag and I have little interest in anything other than the square foot of bar top directly in front of me — the magical zone in which I lay down money and it miraculously turns into booze. But tonight Sean the Locksmith and I end up at Molly’s relatively early in evening. And I’ll be damned if Molly’s isn’t a pretty sweet place.

This doesn’t really surprise me. I’ve heard many tales of the coolness of this bar: the cheap booze, the weird and amazing antiques scattered about, the mother of Darryl Hall’s child pouring drinks. But maybe it’s to its credit that I’ve never really analyzed it. I go to Molly’s because I want to drink undisturbed. The appreciation of the bar among homosexuals and its seedy location at the very end of Tower Avenue help to keep away most of the local dillweeds.