I’ve lived in West Duluth for the vast majority of my life. The most significant exceptions are the year I lived in the Endion neighborhood near the Duluth Armory and the three-and-a-half years I lived in the Central Hillside at Washington Studios Artist Cooperative.

Though my experiences are largely seen through western Duluth eyes, I like to think of myself as a somewhat impartial observer. I bleed the maroon and gold of a Denfeld Hunter, but I have empathy for Trojans, Cakes, Hilltoppers and those funny little home-schoolers and international magnet arsty-fartsies or whatever they are. We’re all Duluthians, Americans and humans. But we’re also part of many tribes, and our neighborhoods can define us in ways we don’t often think about.

Around the time I graduated from high school, a popular pastime among my friends was to pile into a car and simply drive around with no purpose. We were young, full of enthusiasm, and generally unfamiliar with the world outside of West Duluth. Simply driving east of Lake Avenue at that time seemed like a minor adventure, and if we were creative or lucky enough we could turn it into a significant adventure. At the time, the young women of Duluth had very different hairstyles on each side of town, so there was a visible sense of exploring a new culture in just an eight-minute drive.

Last year, I got adult braces, which are distinct from kids’ braces in several ways. They were the tooth-colored kind, made of ceramic, so you could not call me metal mouth, just brace face. No one did, which is the first way they differ. I was 14 the first time I had braces. They did their job, but the effects had a statute of limitations.

Getting braces a second time became a priority when midlife seized me. About to turn 40, I had a classic crisis during which I asked the important questions: Who am I? Am I living my best life? And: ugh, can I get my teeth fixed?

I could, actually. My two girls had gone through orthodontic treatments one after the other, and because I was such a good customer, the orthodontist gave me a deal: the price of one person’s braces in addition to two other people’s. Paying for braces three times is another way adult braces differ from kids’.

At first, I was surprised at the pain. Tylenol couldn’t touch the deep soreness the braces caused. Advil, Aleve, margaritas, nothing helped. The pain caused me to hold my mouth half open and make weird hand-shields while talking at work. I apologized to people repeatedly during this period, asking for my grossness to be excused.

Tig Notaro famously did a stand-up routine in which she announced she had cancer. It was lauded as one of the most incredible moments in stand-up history, and she was extolled as a pioneer in comedy for really working the fine edge of the tragedy + time = comedy equation many comics venerate as the best method of joke construction. I’ve listened to the routine — it’s as good as it’s rumored to be. Better, maybe, because of Notaro somehow putting into the fewest possible words the absurdity of human life in an undeniable way. A laser cut around the heart, but in the shape of a fart.

In this magnificent routine, Notaro jokes that people always say that “God never gives you more than you can handle,” and then goes on to imagine the angels watching God handing down Notaro’s few months of life, questioning God’s sobriety: in just a few months, Notaro almost died from an intestinal infection, her mother died in a household accident, and then she was diagnosed with advanced breast cancer in both breasts. The space between these events was long enough for her to make the phone calls necessary to tell anyone that one of the things had just happened. It’s preposterous. And inexplicably shitty.