Selective Focus Posts

Selective Focus: Yarrow Mead – Silversmith, process video

Yarrow Mead and her jewelry work were featured on Perfect Duluth about one year ago. This video by Keegan Burckhard shows what goes into her process of working with silver.
 
Links:
Selective Focus: Yarrow Mead
Yarrow Mead Metals
Keegan Burckhard

Selective Focus: Another Snow Bomb

Select Instagram photos from the latest powder drop.

Selective Focus: Duluth-area Film Festivals in 2020

If you’re a fan of film or an aspiring filmmaker, here’s a quick list of festivals in the area you can get involved in by attending or submitting your work. Each has a different focus and flavor, but for those interested in the art of filmmaking, there are opportunities for involvement at many of levels beyond being an audience member.

Selective Focus: Carly Jandl

Carly Jandl is an artist still exploring all the options, currently working in painting and jewelry. She also helps others get their work in front of an audience by hosting pop-up events. This week in Selective Focus we get a close-up view of her small-scale artwork and bigger goals.

CJ: Northern Exposure Art is an ever-changing endeavor. My passion began with acrylic painting, and slowly continues to morph as I find other projects to satisfy my creative brain. I am currently focused on commissioned paintings, crafting rainbow earrings, and designing logos. I basically take whatever my creativity tells me to do and run with it.

Selective Focus: Sid Boyum

Sid Boyum was born in Duluth in 1914, and lived most of his life in Madison, WI. He was an industrial photographer, graphic artist, folk artist, and sculptor.

Selective Focus: Santa Claus

Select Instagram images of jolly old St. Nick.

Selective Focus: Pups

A gallery of faithful four-legged friends.

Selective Focus: Michelle Truax

Michelle Truax has worked at TV stations, for the Duluth News Tribune as a videographer and journalist, and is now on her own doing advertising and documentary work for her own clients. Her videos are filled with gorgeous camera work. This week in Selective Focus Michelle talks about how she started and how she got to where she is in her career.

MT: I’d consider myself a visual storyteller with an emphasis on video. Most recently, I’ve been producing promotional video content for clients in the Twin Ports area.

I really love working in a short documentary style. As a kid, Thanksgivings were spent following my mom around the kitchen with a big Sony camcorder. She wasn’t particularly fond of this tradition, but I figured the drama made for better TV. I’ve always loved capturing all the little, human moments.

Selective Focus: Thanksgiving Weekend Snowout 2019

Small Business Saturday was essentially snowed out. The snow stopped falling on Sunday around noon. According to the National Weather Service, Duluth received 21.7 inches — the ninth snowiest two-day storm in the city’s history.

Selective Focus: Holiday Pop-ups

The Thanksgiving weekend blizzard wreaked havoc on Small Biz Saturday and some of the Pop-Ups in town, but we have tried to update this list with the rescheduled events.

These are the true “get ’em while you can” offerings, pop-up markets where a wide variety of art, food products, clothing products and more are on display. There are usually snacks, maybe some hot chocolate, and lots of other people milling about, so the atmosphere is a lot more fun that adding things to your online cart.

Some are small, some are huge. Each market has its own vibe, check the websites and event pages for special instructions on parking, hours etc.

Let us know what markets we’ve missed in the comments, or by sending an email.

Selective Focus: Drinksgiving Storm of 2019

The city of Duluth is advising no unnecessary travel until further notice. “Plows are out in full force, but warm ground temperatures and rain have forced drivers to use chains to travel safely,” states a news release from the city’s communications office. “Please respect plow drivers and maintain a safe distance behind them.”

Meanwhile, here are a few of the sexier pics on Instagram.

Five Years of Selective Focus

Five years ago, on Nov. 21, 2014, Selective Focus was launched on Perfect Duluth Day as a weekly photo-submission series. Tim White coordinated and curated the series, announcing a word or theme, then he posted submitted photos related to the theme. The first post was sparked by the word “Randomness.”

Below are some other highlights from the first iteration of Selective Focus.

Selective Focus: “Everyday Mayhem” by Kip Praslowicz



Photographer Kip Praslowicz has a show opening Thursday, November 21 at the Kruk Gallery on the campus of the University of Wisconsin-Superior. Much of his work has a very matter-of-fact feeling to it, a straightforward documentation of places, people and scenes. But there is a dry sense of humor in his work, especially when taken in as a larger collection. This week we get a preview of the show, and hear how the pieces for the show were chosen.

Was there a criteria for the images selected for this show?

1) The exposure made sometime between 2010 and 2019
2) The exposure was made on color, medium format film. 6x6cm or 6x9cm

Selective Focus: Amnicon Falls State Park

For this edition of “Selective Focus,” we share images from Instagram of Amnicon Falls State Park, located about 20 miles southeast of Downtown Duluth.

Selective Focus: Lance T. Karasti

Lance Karasti has been making independent films for several years, experimenting with techniques for shooting, writing and different ways of approaching the entire filmmaking process. He’s an active enthusiast in the arts in town, and he’s preparing for another variation in style and process for his current project. This week he tells us about his films, and his fundraising campaign.

LTK: I am an independent feature filmmaker. I am currently developing a style of filmmaking called “hypernaturalism.”

I started developing this style halfway through shooting my 2016 project Artificial. Artificial was being shot with a traditional process but I found myself rewriting the scenes every morning before shooting. By the halfway point I just told the actors to stop worrying about the scripts and be prepared to come up with stuff on the spot. While a part of this was due to realizing a lot of my written dialogue was amateur, it was mostly because it had become necessary for the authenticity of the narrative. As written, the film was about stuff I didn’t know and hadn’t experienced. The process of shooting it was like adapting it into something honest and reflective. Rewriting the scenes everyday had caused me to change the course of the film so much that completely improvising was the only way to adapt to the thematic shifts.