The work from Allison & Jonathan Metzger – aka Midnight Oil Studio – has been popping up around the area at galleries and art fairs. They even do live screen printing demos. Here they talk about how they got into screen printing and where they hope to take the medium and their business.

M. O.: We make fine art, original silk-screen prints on paper; our imagery is based on Midwestern landscapes, Nature, retro-and contemporary Pop-Culture, and American Inventions. We have a lot of fun with our pieces and enjoy making work that doesn’t take itself too seriously.

We both earned our Master’s degrees in Fine Art from the University of Kansas in Lawrence, KS – Jonathan in Printmaking and Allison in Textiles – so the silk-screen technique is a fantastic crossover between the two disciplines. Also, creating silk-screen prints does not require much more than a spare room, a darkroom, and a little know-how, whereas other printmaking techniques often require large, expensive and HEAVY equipment. The silk-screen process took a little getting use to, but we really enjoy the challenges it brings.

Inspired by other landscape photographers, Like He went from snapping family photos to composing stunning landscapes of our area.

L.H.: My earliest exposure to digital photography started in 2004, when I purchased my first digital camera, a Canon A95 to take photos of my 2 year old daughter. I didn’t become serious until almost 10 years later, when by accident I became a member of a photo competition website, 500px.com, where I was shocked and awed by the beautiful landscape photos posted by the talented photographers throughout the world. I wanted to be one of them. I started to learn how to use my DSLR camera, ND filters, long exposures, Lightroom and Photoshop.

Annie Schweiger first achieved PDD fame when she won the People’s Choice Award at this year’s Duluth Art Institute Member Show. Here, she shows some more of her work and talks about the balance of work projects, personal projects, illustration and design.

A.S.: By day I’m a graphic designer and at night I work on illustrations. I mostly work with graphite and watercolor but I’ve been experimenting with digital illustration on a Wacom tablet in Adobe Photoshop.

Art on the Planet is a relatively new gallery on Tower Avenue in Superior, offering an eclectic collection of local artists as well as a number of classes. Managers Nancy and Kat fill us in on how they got to their current location, and what they hope to create in that space.

AOTP: “Art on the Planet” is managed by Nancy Senn of Superior Candles and Kat Senn of katsingerArt and we assumed management of the shop when Twin Ports Stage announced intentions to close “Art on the Plaza” (which was a project of the John D. Munsell Legacy Fund), initiated in October of 2015 and formerly located in the Belknap Plaza of Superior.

Dann Matthews is a designer and illustrator who blends pop-culture knowledge, humor and sharp skills into a mashed-up style for print, product design and more.

D.M.: Most of my work is digital. I’ll sketch and scan an illustration and finish the piece in either Adobe Photoshop or Illustrator. I have done a ton of designs prepped for screen printing, so I’m most at home in Illustrator. I started designing tees for Threadless.com’s ongoing T-shirt design competition back in 2005. It became my hobby, then my obsession, then my side-hustle. I would usually create 4-6 designs a week and never use two of them for anything.

Jon Hinkel operates the Tight Squeek Press, an artistic step back in time on the second floor of a studio building on First Street. The space is filled with old presses, stacks of paper and the odds and ends that help Jon and the machines crank out his artwork.

J. H.: I’m called an artist-printmaker, creating relief prints on paper using letterpress equipment. For me anyway, my initial artist-end is pretty inseparable from my printmaking. I draw, but I can’t remember ever finishing a drawing. When a sketch I’m working on has gained a fair measure of strength and coherence, that stage of things is done weather it likes it or not. If it’s a worthy image, I’ll carve it into linoleum or engrave it into hard maple. Then to the pressroom!

Yahya Rushdi is a designer who moves effortlessly between the tools of photography, design and illustration and he’s an active advocate for living in Duluth.

Y. R.: The neat about being a graphic designer is that I’ll usually start with paper and pencil to sketch an idea, but once it comes into fruition on the computer, there is a wide range of mediums that I can use to communicate a message through. Whether that be in the form of social media, billboards, websites or poster. Sky’s the limit! I like to think myself as a visual communicator. If there is a problem to solve, or a specific outcome that needs to be achieved, I’ll collect information and analyze it to figure out the best solution, visually. I lean to be more simple, but effective in my work.

Kirsten Aune just hung a show of her bright, colorful work at the Unitarian Universalist Congregation at 835 W. College St. She talks about her process and inspiration.

K.A.: I work on cloth to create wall-hangings, garments, toys, table linens, hand bags, lampshades, quilts and lots of other goodies. I create original designs using stencils I cut by hand and then I arrange my visual compositions using bold blocks of color and repeat designs. I have also been using silkscreens to create yardage. However, I have been limited to one color for my designs. I will be implementing a rail system that will enable me to line up multiple screens which will open up more dynamic designs using this medium. Recently, I have been projecting my designs in installations in Duluth, Bergen, Norway and Aarhus, Denmark. Currently, I am planning to incorporate some digital animation for an exhibition at the Nordic Center in the fall.