I saw an article in Slate today about the economic imperative for bands to tour and the need for childcare on the road. I was disappointed that Duluth’s own Scott “Starfire” Lunt was not consulted, let alone mentioned. His duty as nanny on Low’s 2003 tour will serve as more good fodder for an “official, unofficial history of Duluth” on PACT-TV. What Mrs. Doubtfire is to in-home child care, rawk-legend Starfire is to tour-bus child care.
In this remix video, Duluth artist Joellyn Rock collaborates with dancer/choreographer Rebecca Katz Harwood and adds music by Low, while layering in book textures and historical references from the Folger Library’s Shakespeare collection.
Duluth band Low released a new Christmas song today. The band is touring the United Kingdom during the first half of December.
To friends who have moved away and friends who have passed on this year. To one and all, especially those who are alone, we wish you a Merry Christmas and new hope for the new year. May we all find ways to lift each other. — With love, Mimi, Alan and Steve
This collaborative performance and art installation at Karpeles Manuscript Museum took place Oct. 22. Performing the music in this clip is Low; the projections are the work of media artist Joellyn Rock. The event was held to mark the arrival of Shakespeare’s First Folio at UMD’s Tweed Museum. The video is by Blue Boat Films.
In recent months, Duluth band Low has been covering Al Green’s “Let’s Stay Together,” including this past weekend’s show at First Avenue marking the Current’s 11th anniversary. Above is a version recorded in Spain; below is a version at the Crocodile in Seattle.
But that’s kind of what we expect from the icon of Duluth’s music scene.
For Low’s 11th studio album — its fourth on the Seattle-based Sub Pop Records label — the band teamed with producer BJ Burton and recorded at April Base Studios in Eau Claire. As usual, Sparhawk handles the guitar work and shares vocals with his wife, drummer Mimi Parker. It’s their third album with bassist Steve Garrington.
Ones and Sixes is perhaps the band’s most spiritual-sounding music yet, though not in a denominational sort of way. The songs are filled with soul and strain. Like every Low album, critics have labeled it a departure, while at the same time noting it’s unmistakably Low. Perhaps therein lies the soul and strain. When music critics have a tough time putting a finger on it, it’s usually a great thing that’s happening in the headphones.