The Underground theater is planning an event featuring short plays and monologues written by women playwrights celebrating women and what they have to say. The What She Said! Short Play Festival will be staged May 24-26. In the meantime, scripts for short plays and monologues written by women and people identifying as women, are being sought.
I am a dance artist and choreographer. For my current project Cabaret, I created jazz dance. Although this is my first time choreographing a full musical, I made my choreographic debut in musical theater with “The Wells Fargo Wagon” for my high school show choir. In college I earned a B.A. in dance where I studied modern dance performance and composition. To the uninitiated, imagine modern as a lot of artful running & falling followed by rolling around on the floor.
The two tracks in sound embeds above — “Sweetheart Like You / True Love” and “You Ain’t Goin’ Nowhere” — were recorded as part of a workshop for a new musical play written and directed by Conor McPherson with music and lyrics by Bob Dylan. Girl From The North Country will open at the Vic Theater in London in July.
The voices featured on both tracks are Bronagh Gallagher, Claudia Jolly, Debbie Kurup and Jack Shalloo.
Over the past 30 years, UMD Theatre has been selected 12 times to present at the KCACTF Regionals and has been chosen five times to perform at the National Festival held at the Kennedy Center for the Performing Arts in Washington, D.C. As of 2011, productions no longer compete at the National Festival level.
This is why I think you should go see the production of One River, happening at UMD’s Marshall Performing Arts Center each night this week until Friday. My experience relayed here might be a bit self-centered, especially the comparison to another touching moment when our dog died in my arms recently, but this is how I was affected by these remarkable young actors. Now I can see the power theater has to really touch the heart. Read more at Ed’s Big Adventure.
Nice Fish, Mark Rylance’s play based on the poetry of former Duluthian Louis Jenkins, made its off-Broadway debut at St. Ann’s Warehouse in Brooklyn on Feb. 14 and continues its run through March 13. An article in The New Yorker notes Jenkins’ poems, “which are syncopated reveries about bologna sandwiches, sea lions, and the meaning of life, are integral to the Nice Fish script.”
Rylance won an Oscar on Sunday for Best Supporting Actor for his role in the Steven Spielberg film Bridge of Spies.
Renegade Theater Company has earned its second consecutive Perfect Play or Musical plaque, this time for a dramatic musical that marked the centennial of the tragic sinking of the SS Eastland. The 1915 shipwreck resulted in the death of 844 passengers, the largest loss of life from a single shipwreck on the Great Lakes.
Titled Eastland: A New Musical, the play was partially inspired by Jay Bonansinga’s 2004 historical novel The Sinking of the Eastland: America’s Forgotten Tragedy. The show debuted in 2012 at the Lookingglass Theater in Chicago. Renegade’s staging in August 2015 was just the second professional production of the haunting musical written by Andrew White, with a folk, blues and ragtime score by Ben Sussman and Andre Pluess.
Before we launch PDD’s poll to determine the best play or musical of 2015, we present this list of every play or musical from the past year we could track down, with the hope that you’ll let us know in the comments if we’ve forgotten any.
Avenue Q – The Underground
Banning Around the Christmas Tree, or, The Last Noel of Don Ness – Rubber Chicken Theater
The Barber of Seville – Lyric Opera of the North
Behind the Shining Star – Duluth Playhouse Theatre for Young Audiences
The Birds – Renegade Theater Company
Blithe Spirit – St. Scholastica Theatre
It was close, and it has to be considered an upset. Renegade Theater Company’s two-character biographical play, Red, staged in the roughly 100-seat Teatro Zuccone theater, was the winner in Perfect Duluth Day’s poll to name the best play or musical of 2014. It edged out the Duluth Playhouse’s centennial-marking, big-budget musical production of Les Misérables, which was staged in the 2,200-seat Symphony Hall at the Duluth Entertainment Convention Center.