Saturday Essay Posts

Ripped in 2001: Mary’s Place vs. Terry’s Place

[Editor’s note: For this week’s essay we’ve once again pulled out a relic from the archive of Slim Goodbuzz, who served as Duluth’s “booze connoisseur” from 1999 to 2009. Twenty years ago he visited two Duluth bars — Mary’s Place and Terry’s Place. Both would later change their names. Mary’s Place became Clubhouse Sports Bar in 2005, then closed in 2014. The building at 132 N. 34th Ave. W. is now home to Stadium Pawn. Terry’s Place became Bergey’s in 2006 and remains in operation. Goodbuzz documented his experiences at Mary’s and Terry’s places for the March 7, 2001 issue of the Ripsaw newspaper.]

“I haven’t had my sled out in a month,” complains the dude across the bar from me. “I worked 60 goddam hours this week.”

I tell him that I also worked 60 hours this week. I don’t mention that drinking is my job.

Then my new friend starts complaining about what a lousy game he just bowled. He seems cheery though. Complaining seems to make him happy; each self-deprecating remark inspiring a grin and a nod in my direction to indicate he knows that my life also sucks. All our lives suck. We’re at Mary’s Place / Stadium Lanes on Wednesday night.

Dreams and Themes

Last week I had a series of interconnected dreams over three nights. I was first introduced to the idea of interconnected dreams by the book A Little Course in Dreams: A Basic Handbook of Jungian Dreamwork by Robert Bosnak. The book is pocket-sized which makes the title a self-referential joke. But the book has had an outsized influence on me. I don’t always agree with its interpretations — dream interpretation is a subjective crapshoot — but it helped.

I am blessed with the ability to easily remember and interpret many of my dreams. The revelatory insight from the book was the idea that dreams can come in clusters over many nights. I began noticing themes and symbols evolving over time. I frequently see this across spans of three or four nights. And some symbols have recurred over my entire life and continue working themselves out. As Bosnak writes, “Dreams often group themselves around specific themes that begin to unfold over time. Images go through a continual process of change, and such a process can sometimes be followed in a series of images that have presented themselves to someone as dreams. The insight that emerges when we study a series of dreams is that dream figures are in a constant state of development. Like any living organism, they come into being and decay.”

Polar Vortex

Early morning winter cold floods in through the gaps between the sheet and mattress. The cold is so powerful, so penetrating, I imagine it to be as fluid as a rushing river with the ability to seep into minute cracks and crevices. In the chaos of adjusting the comforter and pulling the pillow into my impromptu cocoon, my sleep-hat has gone AWOL. An instinctual desire to escape the cold and fortify the barrier makes me abandon any pursuit of the lost headpiece.

A new form of low temperature has erupted in Minnesota, a reverse volcano maybe. Not a temperature so high it melts rock, but one so powerfully low it could probably fracture silk. This kind of cold, the kind that cracks house rafters, and spiderwebs the smallest chip in a windshield, has blown in from the north. Weather enthusiasts call it a Polar Vortex — something about the North Pole, and cold, and pressure. But at five o’clock in the morning in northern Minnesota, those technical, and normally interesting, scientific truths can crawl into a snowbank as far as I am concerned. Whether it’s a vortex, or cyclone, or Voldemort’s Dementors unleashed, the only truth that encapsulates this moment is something I learned years ago: “cold is the absence of heat.”

On the Recent Ice Angler Rescue

I have some comments and observations about the ice angler rescue on Tuesday, Feb. 9.

First off, I watch ice closely because I am nutty for skating the biggest lake in the world. No, not Lake Baikal, that piece of shit lake. I mean Lake Superior, the queen of the unsalted seas. Ice cover has been minimal this year so I have been sad, and nearly desperate in this COVID season for recreation and release.

But as my house has a decent lake view, I watched with some interest as ice plugged the outer harbor. It seemed too much to ask for that it should become safe enough to skate on — keeping in mind that ice is never safe. But whatever.

The sign I watch for is the appearance of ice houses. Once they appear, I grab my skates. My logic is this: those guys know what they’re doing. I figure the ice angler community is right on top of the Department of Natural Resources, and is tracking ice thickness so I don’t have to. If they feel safe, I feel safe.

Avant-Garde Women: The Hundred-Jointed Dancer and the Laban Ladies

Art history is weighted toward objects like paintings and sculptures, and so the performing arts have gotten less attention. Dadaism, which began in Zurich in 1916, was an art movement that generated objects — but it was also a highly performance-based phenomenon. The origin and center of Dada activity was in fact a rollicking cabaret. What happened on stage was every bit as important as the paintings on display; this also held true in the later Galerie Dada, which centered around performance-based “soirees.”

A great number of Dada stage performers were women, but art history emphasized the artworks of the Dada men instead. This is slowly being corrected. The female dancers on Dada stages have been characterized as being “associated with” Dada; they have also been called “fringe” members. But the more I look into it, the more they seem like central players. These women were from the nearby dance school of Rudolph von Laban (pronounced like “Le Bon”); Dadaist Hugo Ball called them the “Laban Ladies.” Their star dancer was founding Dadaist Sophie Taeuber, who Ball called the “hundred-jointed dancer.” She was the only person with full membership in both groups, and it was through her that Laban Ladies filled Dada’s stages. Looking at connections between the Dadaists and these avant-garde women reveals: the Laban Ladies were Dada’s secret weapon.

Avant-Garde Women: Sophie Taeuber, Founding Dadaist

The multitalented Swiss artist Sophie Taeuber was one of the original Dadaists in 1916. Working in many media at the cutting edge of modern art, she went on to Surrealism and more. She remained lesser-known for sexist reasons even while many art historians considered her a crucial and pioneering figure. Her work was overshadowed by male contemporaries, and even though art history tended to minimize her, if anything the situation has all but reversed itself now: her star has brightened while others have dimmed. Decades after her death in 1943, Taeuber continues to emerge from the shadows of the avant-garde.

A note on spellings etc.

Different sources below refer to Dada either as “dada,” “Dada,” “DADA,” “Zurich Dada,” or “Zurich-dada.” All are synonymous for our purposes. The Zurich branch of Dadaism that Sophie Taeuber helped create in 1916 was the founding branch of the movement, propagating to other cities after she moved on. Indifference to standardized capitalization was a Dada hallmark.

Ripped at Goodsports Bar & Grill in 2001

[Editor’s note: For this week’s essay we’ve once again pulled out a relic from the archive of Slim Goodbuzz, who visited Goodsports Bar & Grill at 2827 Oakes Ave. in Superior and penned this report for the Feb. 7, 2001 issue of the Ripsaw newspaper. The former Goodsports location became home to Ace’s on 29th in 2009.]

I’ve discovered something. I was afraid to mention it over the past month because I didn’t want you sorry sheep following me around. But now that the 2000–2001 Superior Boot Hockey League season is over, I think it’s safe to let you know: Goodsports Bar & Grill rocks.

You probably don’t believe me, and you shouldn’t. Goodsports? What can be good about another sports bar with a bazillion televisions and the same old burger menu and Viking/Packer décor?

Well, let me explain: While hockey players are definitely some of the most annoying people in the world, the sport of hockey is sweet. It’s fast, it’s violent and it involves incredible skill. Best of all, there’s no marching band at halftime and no seventh-inning sing-along. Between periods, some goober drives a big tank in circles.

Making a Statement

Everyone is expected to make a statement from time to time. The obvious high-level example is when there’s a natural disaster or some kind of manmade violence and we await official remarks from the President of the United States. But it extends all the way to the dinner table, where someone might ask, “Beatrice, what do you think about copper-nickel sulfide mining?”

Some would say it’s rude to bring something like that up over supper. Beatrice might choke on the green-bean casserole in panic, fearing a faction of the family could cut ties with her if she speaks her mind.

In America we like to profess that Beatrice is just as important as Donald Trump or Joe Biden, but we are also quick to acknowledge that opinions are amplified by status and reputation.

Donald Trump has a posse. Joe Biden has a posse. It doesn’t matter if Beatrice is more intelligent, more articulate or could kickbox both of their teeth in. She is just Beatrice. They are Presidents.

Saturday Essay: Select Gems from 2020

Saturday Essay logo genericLast week we highlighted the five most-read pieces from the fifth year of Perfect Duluth Day’s “Saturday Essay” series. This week we ignore the numbers and look back at a few select essays of similar quality that might have been missed by non-compulsive followers.

In the past five years PDD has published 224 essays showcasing the work of 38 different writers, and we’re always looking to expand that roster. Anyone who has an original piece of literary excellence that seems to fit (or appropriately defy) the established format should email paul @ perfectduluthday.com to get involved.

And now, links to a few select gems from season five …

The Most Read Saturday Essays of 2020

Saturday Essay logo genericWe thought we were so artsy and sophisticated with our little essay series on Perfect Duluth Day. But we all know sensationalism sells. Which essays were the most read in 2020 according to Google Analytics? Well, the topics included a wet T-shirt contest, reckless behavior involving musical watercraft, flat-out fake news, a cult taking over a Lincoln Park church and a murderous dog. Readers, we hope you’re proud of yourselves.

PDD’s annual tradition of wrapping up each year of the “Saturday Essay” series with lazy top-five lists instead of arduously prepared compositions continues next week when the samplings will be less of a popularity contest and more about one person’s snobby opinion of what you should have been reading if you weren’t all heathens.

Into the Dad Zone: An Epic Skate in the BWCA

Like a lot of folks who love the outdoors I try as hard as possible to get my kid to love being outside as well. To create that connection is like walking the razor’s edge. You push too much and they hate it. You push too little and they get consumed by electronics, friends and all the other noise going on in their young lives.

I would say my actions fall on pushing the outdoors too much. I personally have come to the conclusion that I have one life to live and I am sure as hell going to live it as much as I can.

There is no question, I am happiest outside having an adventure. That has been one consistent theme in my life since I was a kid. That theme is a core part of my being and one aspect of my life I want to give to my child, it’s my legacy … and well, it’s all the legacy I have to give!

So when free time presents itself, outside is where I will be. If my wife is working and I have the kid for that time period, then we are going outside. It’s just a matter of how and where. Usually those two answers are dictated by weather, season and what the conditions will allow us to do. There is always something special to any time and season, if we are aware enough to recognize it.

Some of My Indie Rock Guitar Goddess She-roes

My favorite musicians are women. Who’s the coolest member of the Pixies? Kim Deal! You don’t even have to think about it for a second. And my favorite genre is indie rock. Indie is not major label, and not pop enough to score strings of giant hits. The term is frequently applied to punk-lineage garage-y guitar bands, but not exclusively.

The past few years I’ve discovered many indie chick rockers and all-female bands. Here are some highlights. This (not comprehensive!) list showcases indie women who play guitar or bass, either solo or in bands, who have been active in the past five years. Therefore many of my classic faves have been excluded — for instance a suite of 1980s and ’90s rockers. I will write about them one day, but here the focus is on contemporary artists.

My descriptions are fleshed out with links to music videos, interviews, rig rundowns, and live performances. This part one of two, and I plan to give Duluthians their own essay in part three. Here goes — some of my indie rock guitar goddess she-roes:

Ripped at the Anchor Bar in 2000

[Editor’s note: For this week’s essay we’ve once again pulled out a relic from the archive of Slim Goodbuzz, who served as Duluth’s “booze connoisseur” from 1999 to 2009. The Sultan of Sot documented his experience at the Anchor Bar in the Nov. 29, 2000 issue of the Ripsaw newspaper.]

At the northern edge of the United States lies the state of Wisconsin, which leads the nation in alcohol consumption. At the northern edge of Wisconsin lies the broken-down city of Superior, which features the famed Tower Avenue, a street lined with dozens upon dozens of cheap dives. And at the northern edge of Tower Avenue lies the Anchor Bar, the Queen Mother of all dives, a place that represents everything good in the world.

The Anchor Bar is the love of my life. The beer selection is extensive, the food is excellent and both are cheaper than hell. And though all appearances indicate that it is a bar for thugs, there are no thugs there; the tough women behind the bar ran them out years ago. Fortunately, they grudgingly tolerate the hooligans and drunks, such as myself, who remain. Decorated in early pigsty, the place is dark and greasy-smelling, and is populated by the kind of people who just want to drink beer and act like real humans.

Stormy or Calm

She called me after dinner. “I think I need to go to Bemidji. Something is wrong with Charlie.”

Charlie was her son, a slender, emo-goth kid, like I was when I was his age, but with a gregarious desire to be liked. Committed to social justice — as most middle schoolers seem to be, lately — Charlie was attending a language camp. The camp would end the next morning, so leaving that night was ahead of schedule.

“Swing by my place on the way there, and I will ride with you,” I told her.

She drove the first leg of the trip, down Highway 2 through Proctor into Grand Rapids, where we pulled over for gas. She called the camp to get clarification about why Charlie needed to be picked up. Was he sick? Food poisoning? Running a temperature? No. He had said some words that meant he had to leave the camp; he could not spend the night.

Trouble

Growing up in Alaska, the wild space around me was something invisible. I had no awareness that the world was something other than myself. My friends and I perambulated the wilderness with the careless disregard of youth, clambering to the peaks of 100-foot-high pine trees and swinging from the soft tops on dares.

There was a tree fort out in the woods that was 25 feet in the air — not even halfway up the tree. The way up was almost entirely crumbling chunks of boards nailed erratically into the trunk to form rungs. At the top, one had to stretch out and grab the floor of the fort and sort of clamber up over the lip of the platform. Conveniently, the platform was disintegrating, so the edge was rougher and shallower than it once had been, making it less a switchback climbing maneuver to swing to the platform than a lean of faith. I wonder if the kids who live in those houses now even know it’s there — some aeriform retreat hovering above the houses like a mossy cloud.

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