Jocelyn Pihlaja Posts

American Boy

“Get out of the lake right now, or I will fucking shoot you,” he hollers, staring down an invisible sight and into my eyes, his finger threatening to pull the trigger — a notched branch on the stick rifle he has cocked and rested on his shoulder.

None of us respond, but if heart rates were words, we’d be babbling.

Our silence exasperates him. “I am not fucking kidding. You get out of the lake right now” — he sweeps a dictatorial finger from the lake where seven of us are circled in the water and toward the pebbled beach where he’s tantruming — “… or I will fucking shoot you.”

A few of us turn our backs to him, attempting to pick up the conversation we’d been having before this agitated teen and his friend, high on unaccustomed warmth in the air and whatever’s in that vape pen tucked into that pocket, stumbled into our orbit. The gun-pointer, initially aided by his sidekick, has been yelling at us for five minutes now, a genuinely unnerving bundle of aggression in green shorts. But if there’s one thing this group of grown-ups — parents, partners, queers, professionals, grieving, recovering, regulating, growing — knows how to do, it’s ignore the todderlistic foot stamping of a heckler.

Titties

I push through the door — it’s late, but the massive cowboy hat on the roof glows red — and step into something more like a nightclub than an Arby’s. Steady, throbbing beats pulse across the rafters of the dim dining room, threading through stacks of waxed cups, snapping plastic straws with reverb.

This roast beef hashery is my kind of joint.

Eyes float to the menu board; simultaneously, my chin begins to bob. Anticipating the imminent rush of potato cake puissance, my body ticks with the vocals.

Suckin’ on my titties like you wanted me,
Callin’ me, all the time like Blondie

“OH MY GOD!” the blondie behind the counter shrieks as she looks up from tying a trash bag. My presence has startled her.

Her first reaction is to hunch low, bending torso toward linoleum, hiding her body behind the cash register. Her second reaction is to screech, barely audible over the racy lyrics shaking the dining room, “JOE. TURN IT DOWN. TURN IT OFF. TURN IT DOWN. OH MY GOD. TURN IT OFF NOW!”

Melted

The light changes. A cover has opened, slit of sun beaming into the darkness, a ha-ha neiner-neiner taunt transmitted from the world of wind and spit. In the quick second between dandelion shaft blinking back to onyx, a gentle violence occurs, crinkling followed by thump.

A book has been returned.

***

With that thump, the movable floor inside the Returns bin lowers almost imperceptibly; a single book isn’t that heavy, after all. But then the flap clinks, signaling another, another, another, dark to light, light to dark, typeset words in freefall. Absorbing the weight of pages and ideas, springs stretch, and the catching floor gradually sinks.

It’s designed to protect the books, this bin is. When it’s empty, the floor rests near the top, quick purchase for incoming books slithering through the slot. As Returns accumulate, the floor gradually descends, earlier Returns nesting and bolstering newcomers so no volume sustains damage from a traumatic plummet.

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