I first launched this sort-of virtual tour of the area in January 2018. I just updated it with more than 30 new features, including more than 130 new photos, several video links, links to news articles, the paths of my various “skate patrols” and “flamingo patrols,” The People’s Free Skate, a greater spread through the region, and all my latest activities. Enjoy.
On my way to see Burning, the Korean movie adaptation of a Haruki Murakami short story, playing at Zeitgeist Zinema in January, I heard a woman yell “Somebody help me!” from the bus stop. I couldn’t see her well; she had made herself small, the way a rabbit might make itself small for fear of a predator who has entered the garden, too.
A man was looming over her while she cowered against the wall of the Greysolon Plaza. From behind, I couldn’t see much of him, either. He wore a jacket that looked not-quite warm enough; his agitated movements were likely keeping him warm. I felt my city instincts kick in.
I’ve lived in a city all my life: Milwaukee until I was 22, St. Paul until I was 32. Duluth is the smallest community I have ever lived in, and most days, it barely feels like a city. In the quarters of a city where poor people live, anytime someone calls “help,” I think, we check it out. We need each other.
Someone called for help. I needed to check it out. I started to cross the street, putting on my most booming voice.
This week, we feature the youngest Selective Focus artist so far, Quinn Montgomery. She has been drawing caricatures of celebrities. Many are from shows that she most likely can’t watch for quite awhile. We get some background info from her dad, Derek Montgomery (previously featured in Selective Focus). For now, you can keep up with Quinn’s art career via her dad’s Instagram Feed. Be sure to check the second picture in each Instagram post to see the reference material with the finished drawing.
DM: I started documenting our daughter Quinn’s drawings as just a way to remember some of the things she was doing at her age, which is four years old. I found her style of drawing–large head with The Nightmare Before Christmas’ Jack Skellington-length arms and legs–as really humorous and fun. She’s always been very perceptive and expressive and the drawings are just an extension of that. I work from home and Quinn would bring me drawings every day of stuff she saw around the house or outside to cheer me up because apparently I needed that? I don’t know, but I always appreciated seeing her take on the world out here in Lakeside.