Local author Julie Gard has published new poetry in Coldnoon, from a project rooted in eavesdropping called “Eavesdropping in Britain.”
“This piece consists of 51 texts I sent to myself first thing in the morning during the 2016 presidential election season. Hopefully some of them will speak to you,” says Gard, describing her work in Superstition Review.
Jayson Iwen has co-translated a significant poem by Salim Barakat, a Kurdish-Syrian poet.
It’s a love poem, and as co-translator Huda Fakhreddine says, “Dylana and Diram’s love infiltrates and overwhelms the landscape. Barakat does not use images of nature to draw analogies with their relationship. The spiritual and sensual bond between them consumes nature and natural scenery and transforms it into a mere manifestation of a surging emotional deluge.”
Sometimes it takes traveling far from home to find out where you come from. Sonofmel & the Slideman have farmed decades of life into a harvest of sounds, growing rows of song and spoken word around dreamscapes rich enough to farm. They’ve just begun an album together at Sacred Heart Studio and will debut one or two during a Jan. 17 performance at Bent Paddle Brewing.
Video recorded at Driftless Books & Music in Viroqua, Wis.
New video produced by Killy Kay, shot at various Duluth locations in 2016. It features poetry written and performed by Laura Mae Sellner for the Homegrown Music Festival.
The text of “I Now Pronounce You” is available online, along with an audio track of the poet reading it.
Malech grew up in Bethesda, Md., and now lives in Baltimore. Her connection to Duluth is unknown, unless it’s as simple as the first line of the poem: “Our friends are getting married in Duluth.”
In an interview for The Rumpus, an online magazine focused on culture, Duluth poet Connie Wanek discusses her latest book, the challenge of looking back at older poems, and what prioritizing writing looks like.
Connie Wanek said that she only started writing poetry seriously in her late thirties, but since then, she’s been published in Poetry and the Atlantic Monthly, has received a Witter Bynner Fellowship at the Library of Congress, and been named a George Morrison Artist of the Year, among her many other honors. Her fourth book, Rival Gardens: New and Selected Poems, was released by the University of Nebraska Press this year, and makes the argument that she is one of contemporary America’s great poets.
This week we stretch the boundaries of Selective Focus — both geographically and conceptually. Moheb Soliman is a poet who will be installing his writing in the form of very official looking signs throughout Apostle Islands National Lakeshore and the four other major Great Lakes national parks at trails, vistas, and beaches as part of the National Park Service centennial celebration. Some of the installations are already done and this month he will be finishing up at Isle Royale National Park.
The arts and culture review website Partisan namedrops Holy Cow! Press of Duluth in an article by Harvard English Professor Stephen Burt titled “In Defence of Minor Poets,” published today. The namedrop occurs without actually mentioning Holy Cow! by name, but instead referencing Duluth with a hyperlink to Consortium Book Sales & Distribution’s page about the Duluth publishing company.
The online literary magazine, Split Rock Review, recently released the Fall 2014 issue. Also, SRR is now accepting submissions of poetry, fiction, creative non-fiction, book reviews, graphic narratives, visual poetry, digital literature, and hybrid forms.
For more information about the magazine and submission guidelines, please visit the SRR website.