Moira Villiard Posts

The Slice: Moira Villiard’s “Madweyaashkaa”

Duluth visual artist and Fond du Lac Band of Lake Superior Chippewa descendant Moira Villiard reflects on her latest project: “Illuminate the Lock: Madweyaashkaa – Waves Can Be Heard,” featured in February on the St. Anthony Falls lock wall in Minneapolis.

In its series The Slice, WDSE-TV presents short “slices of life” that capture the events and experiences that bring people together and speak to what it means to live up north.

Lincoln Park Mural Project

Artist Moira Villiard and her team created a mural at 2024 W. Third St. this past summer through a number of artist grants. The team included Michelle Defoe, Aurora Webster and Heather Olson. This video was produced and edited by Dudley Edmondson.

Creating Apart: Moira Villiard

Moira Villiard is one of the artists featured in the Tweed Museum of Art’s upcoming exhibition, “Creating Apart: Local Artists Respond to a Global Pandemic.” She loves to organize community-wide mural projects. In this video by documentary filmmaker Mike Scholtz, Moira talks about the future of painting with large crowds of people.

Selective Focus: Community Mural at the CJM Memorial

Visual artist Moira Villiard organized a mural project at the Clayton Jackson McGhie Memorial as part of a day of creative expression on Monday, June 8. People were invited to add to the images she created of George Floyd, Breonna Taylor and a raised fist. The activities also included interviews of black, indigenous and people of color on the topic of police brutality. The interviews will be used in a documentary produced by DanSan Creatives. June 15 marks 100 years since the lynching of Elias Clayton, Elmer Jackson and Issac McGhie in downtown Duluth for a crime they didn’t commit.

Selective Focus: Moira Villiard

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This week’s Selective Focus subject has a solo show opening next Monday, June 6, at Zeitgeist Arts in the Atrium. Moira Villiard talks about her paintings and the physical toll her work has taken on her.

MV: People are often surprised when I tell them I haven’t been a painter for very long. I’ve always been involved in the arts, but my skills didn’t mature all that much until I got out of high school and spent my first few post-secondary years sketching portraits I found in old National Geographic magazines. Prior to that, I used to draw doodles in my class notes and took pride in calling myself a “surrealist,” though everything I’d done had been on notebook paper.

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