Minnesota Ballet Posts

The Nutcracker Christmases

Christmas gives me the blues. I miss the magic of childhood Christmases spent with my siblings, and I miss the magic of Christmas mornings I spent with my young children. I miss family and friends who have passed away, and the special Christmas traditions we had. Because nothing stays the same, nostalgia can be heart-wrenching.

So, I’m weaving some new traditions into some old ones.

The Nutcracker of the Past

When I was in my twenties, my mother-in-law took me to my first ballet, along with my two sisters-in-law. It was December, so of course, we went to The Nutcracker. I loved it. For two hours enchanting music, graceful dancing, sparkling costumes, and magical sets swept me away to another world. Attending The Nutcracker with my mother-in-law became a tradition for a handful of years.

This year I took my twelve-year-old granddaughter, Clara, to see The Nutcracker, her first ballet. My mother-in-law would be happy to know I’m reviving her tradition. If life were A Christmas Carol, my mother-in-law would have been Fred, the ever-cheerful nephew of Ebenezer Scrooge. She knew how to keep the spirit of Christmas in her heart all year long and how to rise above characters like Scrooge.

Selective Focus: Laura Goodman and Karen Owsley Nease

On Oct. 19 and 20, Laura Goodman’s sensuous and powerful new ballet, “Curl, Uncurl and…” will be performed as part of the Minnesota Ballet’s fall performance, The Rite of Spring and Other Dances. Basing her choreography on the wave paintings of Karen Owsley Nease, Laura explores the elemental and generative forces depicted in Karen’s artwork. Karen’s paintings will be projected as the back drop during the performance.

On Friday, Oct. 26, 6 p.m., at Joseph Nease Gallery, Laura and Karen will present an artist’s talk discussing their work during a mini-exhibition of the paintings that were included in the performance. “Elemental Forces and Other Work” is the mini-exhibition of Karen’s paintings and will be on display from Oct. 19-27.

What was the origin of your collaboration?

Karen: Over dinner last year, Laura and I were discussing our respective work as artists, particularly her experience as a professional dancer and choreographer, which led me to suggest how cool it would be to have her “interpret” my wave paintings into motion.

Laura: Growing up in Duluth, Lake Superior has been a place for reflection and awe. It has been a backdrop that I have missed when living elsewhere. I first saw Karen’s wave paintings at her show “As Above, So Below” at the University of Wisconsin, Superior in 2017. The idea of choreographing a piece based on her paintings was exciting to me, and so I worked to find a way to do that. After a few conversations and studio visits with Karen, I approached Robert Gardner at the Minnesota Ballet. With his support of the project I applied and was awarded an Arrowhead Regional Arts Council (ARAC) Career Development grant.

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