Selective Focus: Laura Goodman and Karen Owsley Nease
On Oct. 19 and 20, Laura Goodman’s sensuous and powerful new ballet, “Curl, Uncurl and…” will be performed as part of the Minnesota Ballet’s fall performance, The Rite of Spring and Other Dances. Basing her choreography on the wave paintings of Karen Owsley Nease, Laura explores the elemental and generative forces depicted in Karen’s artwork. Karen’s paintings will be projected as the back drop during the performance.
On Friday, Oct. 26, 6 p.m., at Joseph Nease Gallery, Laura and Karen will present an artist’s talk discussing their work during a mini-exhibition of the paintings that were included in the performance. “Elemental Forces and Other Work” is the mini-exhibition of Karen’s paintings and will be on display from Oct. 19-27.
What was the origin of your collaboration?
Karen: Over dinner last year, Laura and I were discussing our respective work as artists, particularly her experience as a professional dancer and choreographer, which led me to suggest how cool it would be to have her “interpret” my wave paintings into motion.
Laura: Growing up in Duluth, Lake Superior has been a place for reflection and awe. It has been a backdrop that I have missed when living elsewhere. I first saw Karen’s wave paintings at her show “As Above, So Below” at the University of Wisconsin, Superior in 2017. The idea of choreographing a piece based on her paintings was exciting to me, and so I worked to find a way to do that. After a few conversations and studio visits with Karen, I approached Robert Gardner at the Minnesota Ballet. With his support of the project I applied and was awarded an Arrowhead Regional Arts Council (ARAC) Career Development grant.