This week, a quick update on two artists we’ve featured earlier this year. Carolyn Olson and Annelisa Roseen both started projects at the beginning of the pandemic, and are still regularly producing pieces based on the theme and guidelines they set for themselves. Carolyn Olson paints and draws essential workers in their settings, and Annelisa Roseen takes a selfie each day in make-up and costume of an interesting person born on that day.
Toward the beginning of the pandemic, Annelisa Roseen started posting a photo of herself in make-up and costumes looking like a person who has a birthday on that day. The individual images are entertaining and impressive, but when you view the body of work as Instagram thumbnails, you get a much better sense of the variety, commitment, and skills Roseen has to make this work. It’s not just about the props and make-up, the expressions in her face, whether deadpan or over the top, are often the thing that make the connection to the celebrity.
What was the inspiration for this ongoing project?
I had seen that it was Gloria Steinem’s birthday; she is one of my heroes. So when I was brushing out my two-day-old pandemic bun I noticed I was sporting a kind of ’70s Gloria-frizz-do. So I took a selfie (no real make-up or costume) and posted a happy birthday to her. The next day I saw it was Lenard Nimoy’s birthday and thought “that would be funny” to do him today. I studied pics and read up on his life. And then I never stopped! I have been doing my #homageaday every day since then! Every day I pick someone whose work is inspiring or meaningful or has made an impact on culture. I love becoming these (big and small) icons each day! Most days I do an individual’s face, but sometimes I honor their image in a different way — like I did James Brown’s feet dancing on his birthday.