Art
Abortion Contest
In 2003, George W. Bush was running for re-election. (I don’t want to talk about whether or not this was a re-election campaign or an election campaign, after the Florida funny business. I’m just glad he’s not the president now.) The campaign was ugly. The issues were suddenly intensely divisive and personal — particularly where Roe v. Wade was concerned. You couldn’t turn the radio on without hearing ferocious, fervent diatribes surrounding the issue of legal abortion. I was accustomed to avoiding the conversation, and, hopefully, allowing each person to reconcile their own reproductive decisions between themselves and God or whomever they like to reconcile themselves to.
But it was all over the radio and television, in conversation overheard in bank teller lines and grocery stores, and, it turns out, on the playground. My son was only 9 years old. I’m not sure how the political pogwank wove itself into playground diatribe — perhaps between games of four-square and soggy rectangle pizza slices, the little ones polarized and debated the benefits and disadvantages of prison reform and estate tax in hissed, lispy whispers. Anyway. I think it was sometime around October? The campaign rhetoric was bitter, loud, and everywhere. I fielded ten kabillion questions from my son about everything from homosexuality to terrorism, providing spanky PBS answers, neatly avoiding genitals, hate, and murder. Then, one day, as I drove us to the grocery store, my son piped up, “Mom, what’s an abortion?” (more…)
Selective Focus: Elders

Christine Dean, “Shuffleboard”
Last year my folks moved into senior housing. While it must have been traumatic to leave a home of 45 years, to abandon treasures from a lifetime of travels, and to part with thousands of photographs, they’ve created a miniature version of the life they knew, and found friends who were similarly diminished — but not lain low. (more…)
Review: Ken Bloom’s Public Domain
Should we think about these photographs or their subjects? Yes. Do we consider the art of them or the culture they depict? Yes, both. And perhaps composition or feeling? Again, yes.
Ken Bloom’s exhibition Public Domain: Street Photographs of Japan 1976-78 at the Duluth Art Institute shows three years of his work from the mid-1970s in city areas of Japan. Most are black and white; a few later ones are in color. The compositions are tight. The subject is people in their time and environment. Movement (striding, shopping, riding, jumping, talking, gazing) and waiting (for the ferries, for the trains, for the kids, for the work day to begin) are the subjects of many. (more…)
Drain Duluth
This is fascinating and frightening. It’s from “Draining Zenith City” a blog entry by Dan Turner, a photographer, urban explorer and historian. The name of his blog is Substreet. The picture here is Chester Creek, somewhere under the Rose Garden. Turner has also documented other places around Duluth and Superior, and industrial and abandoned spaces across the country.
A journey along the edges of the Land of Wonder
At the Duluth Art Institute, right now, exists a portal into other worlds and an alternate way of being. Head on over to Ed’s Big Adventure for a behind-the-scenes glimpse into artist Shawna Gilmore’s art studio, images from this show that appeals to children and adults alike, and more. Also included is Shawna’s painting that’s featured on Charlie Parr’s next album cover, due out on April 15.
Bicycling the Hillside
The climb feels endless. Tattered concrete fills my field of vision — taunting and mocking my painfully slow bike ride up the hill. My legs ache and are starting to shake. My lungs burn and seem to collapse a bit more every time I turn the pedals over and try to suck in a great, heaving gulp of oxygen.
The front wheel wobbles for lack of momentum, forcing me to cross back. Now I’m shamefully zig-zagging across the steep avenue, which both relieves the burdensome pitch, but quadruples the length of the climb. There is a deep desire in me, immutable by logic or maturity, to ride the whole way, steep inclines notwithstanding.
Then the moment of kinetic equilibrium arrives in which the depleted energy of my legs can no longer overcome gravity’s backward force and for the briefest moment my bike and I are stuck in suspended animation. I dismount at the very moment gravity begins to prevail. With humility washing over me, bike and I switch roles as I become the vehicle delivering the two of us up the hillside. (more…)
WITC-Superior welding students create sculpture

Superior Business Improvement District, Wisconsin Arts Board, the National Endowment for the Arts and WITC-Superior welding students unveiled their public sculpture in the vacant lot adjacent to Sclavi’s Restaurant on Tower Ave. in Superior.
The Wishing Tree is a community art participation project. Thirteen welding students of WITC-Superior, under the direction of Aleasha Hladilek, were asked to create a 7-foot sculptural metal tree. These 13 students are enrolled in the full time technical structural welding course. (more…)
Selective Focus: Sweet

Sarah Jean, untitled
Given our theme, this week’s images could easily have veered into cloying territory. Thankfully I received many uniquely interpreted shots, and some that are even exceptionally moving. I’m grateful how this feature included our older loved ones; a population often disregarded in visual art. Let’s remedy that next week by dedicating a theme to our “elders.” (more…)
Moving North
I left a good life in the City.
My husband and I had established careers and moved our young family out of our Minneapolis duplex and into our forever house in a first-ring suburb. An Atomic rambler with thick plaster walls, on a corner lot in an award-winning school district, it was lovely. Add in large, southern-exposed windows, a fireplace and a finished basement large enough to raise Shetland ponies, well, it was the “Beige Rambler of my Dreams.” Jason and I planned to watch our children grow up in their award-winning school district, as we grew old in the safety of one-floor living.
And though my husband had truly wanted this house and all its middle-class trappings, our suburban lifestyle had Jason on the verge of a boredom aneurysm.
That’s when a Duluth headhunter found him; a vulnerable adult constricted by a place where lawn maintenance was competitive sport. Given we lived on the boulevard (a term invoked with a disturbing reverence) there was pressure to perform to Olympic levels with chemical sprays, lawn services and street-long coordinated Christmas light displays. In contrast, curb appeal in the Northland is scarcely an intramural. (more…)
Selective Focus: Clean

Sharon Mollerus , “Crown Fountain, Chicago”
Clean is a construct; an aspiration more than an actuality, demanding as much scrutiny as that which we deem dirty. Each term requires criticality, and attempting to understand the world from broader contexts. Likewise, while we could use more rituals like the Roman’s annual Februa purification festival (from which I drew our theme) we could well abandon their plutocratic, militaristic ways. (more…)
God Bless Young Love
Strange-but-cute little video by Shawn Donovan.
Blacklist brewery expanding to downtown Duluth
One of the smaller Twin Ports breweries, Blacklist Artisan Ales, is earning big media attention this week after its announced expansion into the building that previously housed the infamous Last Place on Earth head shop. (more…)
Mon Historie d’Amour avec Mon Estomac (My Romance With My Stomach)
I’m a Minnesotan in Paris. And I’m alone.
It’s not romantic. Paris with the one you love is romantic. Paris while you navigate the rain, the metro transit system, and a creative-writing residency class-load and its homework, is challenging and more than a little lonely. I’m one of the new kids here, and while I’ve made friends, it’s hard to step up to a circle and demand to know what we’re all doing tonight. I’m not built that way. I’m built for books and Netflix. I’m built for empty movie theaters and empty seats next to me on planes. I’m built for my wife. She is my co-conspirator and without her every experience feels drenched in a demi-glace of melancholy that mingles with the January mist and chills my bones.
JESUS. Chill out, Bennett. Someone’s been spending too much time talking imagery and not enough time eating.
And, since I’m in Paris, eating is a must. So I’m taking my stomach on a date. Instead of flowers, I will buy my stomach flour. We will take a long walk in the rain to a restaurant void of tourists, and the wine will flow. And, after a date like this, my stomach will totally put out.
Okay, I may have extended that metaphor too far. But, you know, that’s why I’m in school. To learn how to not make it sound like I expect my stomach to have sex with me. (more…)
Selective Focus: Portrait

Aaron Reichow, untitled
I thought this week’s theme would be simple, though it did raise some discussion as to what exactly constitutes a portrait. My belief is that a portrait is anything which somehow conveys a being or beings- even non-sentient ones; though sentience itself is a contestable construct (doesn’t our region’s Spirit Tree seem capable of feeling, and perception?). I will leave any thoughts more esoteric than that to you, and the comments section below. (more…)
Suicide Peaks with the Tulips and Lilacs
The drive back from the VFW Hall in central Minnesota was cold, and the snow falling in the dark January night covered the road. I couldn’t tell whether I was drifting too far across the median or too close to the shoulder until I crossed the rumble strips. I probably should have left earlier, but to be honest, it’s dark after 4 p.m. when you are so far north in winter.
Drinks were cheap and not very strong. The bartender didn’t know how to make a Manhattan. I needed to drive home, so I alternated each drink with a glass of water. My friend’s apartment was just blocks away, so she could walk, even if I didn’t offer her a ride. And if I offered, she’d never take it.
We’d met at 9:30, when the jazz trio took the stage (the stage was a wooden platform four inches higher off the ground than the rest of the bar). She and I weren’t particularly close. If we had been, I might not have made the trip. My wife had moved out that morning. It’d been a separation a long time coming, but it still wasn’t something I was ready to talk about. I needed a friend who was not so close that she knew the reason my life was changing. I needed a friend I could talk to about nearly anything except the separation. I wanted someone to drink with, without sharing why I needed a drink. (more…)
Selective Focus: The Great Indoors

Lars Wästfelt, untitled
Due to a near total lack of submissions this week, I had to bring in some pinch hitters. For the past 5 years I’ve managed a photography collective called “You are not a dinosaur” which features vernacular images from around the world, and I was compelled to draw from this pool for our current theme. See more here: www.flickr.com/groups/notadinosaur/pool/ (more…)
Perfect Play or Musical of 2015: Renegade’s Eastland
Renegade Theater Company has earned its second consecutive Perfect Play or Musical plaque, this time for a dramatic musical that marked the centennial of the tragic sinking of the SS Eastland. The 1915 shipwreck resulted in the death of 844 passengers, the largest loss of life from a single shipwreck on the Great Lakes.
Titled Eastland: A New Musical, the play was partially inspired by Jay Bonansinga’s 2004 historical novel The Sinking of the Eastland: America’s Forgotten Tragedy. The show debuted in 2012 at the Lookingglass Theater in Chicago. Renegade’s staging in August 2015 was just the second professional production of the haunting musical written by Andrew White, with a folk, blues and ragtime score by Ben Sussman and Andre Pluess. (more…)
One Man, One River, Many Stories
Mike Simonson had a project planned for his retirement. That was the type of guy he was. I’d never heard him talk about retiring, and then the first time he mentions it he’s laying out a plan to produce an epic radio documentary about the St. Louis River … for fun.
I wasn’t surprised Mike had no intention of slowing down after four decades in journalism — a journey he started at the Denfeld Criterion in the mid-1970s, continued at various commercial radio stations during the 1980s, and concluded with a 24-year stint as Wisconsin Public Radio’s northwestern region correspondent at KUWS-FM in Superior. And maybe the topic of the St. Louis River shouldn’t have surprised me either. Mike lived on the river for most of his life, and routinely swam across Stryker Bay for fitness and pleasure.
Still, I was blown away by the idea. Mike had chosen documentary topics in the past that seemed broad, but by comparison were quite specific — Forever Ace: The Richard Bong Story (2012) and We Are Holding Our Own: The Sinking of the Edmund Fitzgerald (1995).
Now the St. Louis River? That’s basically the entire history of Duluth, Superior and all the communities that line the 192-mile waterway. It would take an episode to cover the geology alone. The early Anishinaabe-Ojibwe history could be a multi-part documentary by itself. The fur trade, shipping and shipbuilding, the formation of Duluth’s western neighborhoods, industries too numerous to mention, environmental degradation, cleanup efforts, revitalization, wild-rice restoration, fishing and recreation and on and on — there’s just too much story. I was in awe of the idea while flabbergasted at the notion of even Mike Simonson attempting to pull it off. (more…)
Selective Focus: Gelid

Frank Sander, untitled
It is hard to not feel a bit inadequate when a friend will schlep 4 miles for groceries when it’s 15 below, and my biggest concerns are where’s my Zhivago DVD, and do I have enough cloves to stud a lemon for a hot whiskey. That said, Winter is my favorite season — not as some endurance test, but as a time to heed nature’s insistence that we “lie low to the wall until the bitter weather passes over” (John O’Donohue). (more…)
The Plays of 2015
Before we launch PDD’s poll to determine the best play or musical of 2015, we present this list of every play or musical from the past year we could track down, with the hope that you’ll let us know in the comments if we’ve forgotten any.
Avenue Q – The Underground
Banning Around the Christmas Tree, or, The Last Noel of Don Ness – Rubber Chicken Theater
The Barber of Seville – Lyric Opera of the North
Behind the Shining Star – Duluth Playhouse Theatre for Young Audiences
The Birds – Renegade Theater Company
Blithe Spirit – St. Scholastica Theatre (more…)
Selective Focus: Cabin Fever

Aaron Reichow, untitled
While it has been too warm to be stuck inside contracting the negative strain of cabin fever (Winter will no doubt find us), this week we can emphasize the phrase’s positive connotations. Such retreats represent our desires to simplify, to get away from the dissonance and clutter of what we ordinarily deem important. They foreground necessity and diminish the superfluous, and manifest our plainest requirements for dwelling; heat, light, a water source, a welcoming entry, maybe a window to gaze from or peer into. (more…)
Perfect Duluth Day at the Dump
Video by Frank Sander.
The Inheritance
My grandmother Irene was a pitiful, crazy person. Not all the time, unfortunately, or she’d have been packed into some coarse New England institution for experiments with electrons and lithium derivatives much earlier. As it was, because she alternated her violent and impulsive behavior with periods of serenity and excellent baking, she was allowed to quietly produce one, two, three, four and finally five wards of the state, one right after the other, before she was wrangled by the authorities and medicated to death.
Her youngest boy, Fred, who she kept along with three more kids, believed that shock therapy, medication, and age had actually healed Irene just enough that she could think rationally about what she’d done. So she overdosed herself on lithium.
We met her once, about a year before she died. She looked like a watercolor version of our mother, all smeared and indistinct in comparison. We had no idea she was our grandmother. Our mother introduced her as “Irene,” no more information. (more…)
Selective Focus: Constant

Aaron Reichow, untitled
What won’t you change in the new year? What remains a fixture in our lives? That was this week’s challenge; to find the things that ground us in a world of whirring flux. Easier said than done in a region whose predominant feature is an endlessly shifting inland sea. I would like to have seen some people as “constants” (as they’ve always been in my life), but hey, I only edit this thing. (more…)





