Backstory and overtures: We tried doing it “in-house” in terms of concept, shooting, editing and post; as they say. Up to that point, I had prepared a number of very short promo-video clips for upcoming Sadkin shows/releases and actually thought working on those was fun.
So, we went for it. But, as the project grew and I quickly swam beyond my depths, key elements ended up requiring the help of others and so I absolutely want to take a moment to thank …
1. Andrew Hill – An old friend and professional film editor; grateful for his patience and willingness to sort out the required Codec for the final render. This was a back and forth debacle with the distributor which took months to sort. Also, for all of the late-night zooms as he talked me through mind numbing editing, aspect ratio’s and his encouragement.
2. Eric Sturtz – For his contribution of the amazing and gorgeous drone footage.
3. Kaylee Prisk – For the use of her fabulous plaster forms/sculptures and mannequins.
4. Sadkin’s cohorts at the Embassy, which proved to be the entire playground.
Thank you all,
Max | Sadkin
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