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An event every week that begins at 10:30pm on Friday and Saturday, repeating indefinitely
Renegade Improv
An event every week that begins at 10:30pm on Friday and Saturday, repeating indefinitely
Every Friday and Saturday at 10:30, Renegade Theater Company's improv troupe splits into two teams to compete for points (which they earn from the referee) and laughter (which they earn from the audience).
Find out more »One event on Apr 8, 2018 at 7:00pm
One event on May 6, 2018 at 7:00pm
One event on Jun 10, 2018 at 7:00pm
One event on Jul 8, 2018 at 7:00pm
One event on Aug 12, 2018 at 7:00pm
One event on Sep 9, 2018 at 7:00pm
One event on Oct 14, 2018 at 7:00pm
One event on Nov 11, 2018 at 7:00pm
One event on Dec 9, 2018 at 7:00pm
One event on Feb 10, 2019 at 7:00pm
Gag Me with a Spoon
One event on Apr 8, 2018 at 7:00pm
One event on May 6, 2018 at 7:00pm
One event on Jun 10, 2018 at 7:00pm
One event on Jul 8, 2018 at 7:00pm
One event on Aug 12, 2018 at 7:00pm
One event on Sep 9, 2018 at 7:00pm
One event on Oct 14, 2018 at 7:00pm
One event on Nov 11, 2018 at 7:00pm
One event on Dec 9, 2018 at 7:00pm
One event on Feb 10, 2019 at 7:00pm
Adeline Wright hosts this evening of storytelling and open mic journal sharing in the style of the Moth and Mortified podcasts. There will be an open mic journal-sharing segment. This is opportunity for anyone to read a journal entry, poem or other hilarious, serious or heart-wrenching writings from their youth. Gag Me with a Spoon events occur on the second Sunday of each month.
Find out more »An event every week that begins at 8:00pm on Thursday, Friday and Saturday, repeating until Aug 11, 2018
Lizzie
An event every week that begins at 8:00pm on Thursday, Friday and Saturday, repeating until Aug 11, 2018
One of the most infamous stories in American mythology gets a punked-up, glitter-glam makeover in this new rock musical presented by Renegade Theater Company. Featuring four women fronting a six-piece all-female band, this bloody Minnesota premiere examines the famous tale of Lizzie Borden by setting it to a blistering rock score that owes more to Bikini Kill than it does Andrew Lloyd Webber.
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