For the first Selective Focus of 2017, we start off with Kristina Estell’s sculpture and installations which depend on form and material but are also defined by their locations around the world.

K.E.: I studied sculpture in undergrad at Herron School of Art and in graduate school at the University of Minnesota, Twin Cities. Very early in my art education, I knew I was interested in making serial sculptural work that interacted with architectural and outdoor spaces as opposed to singular traditional forms that lived on pedestals. In recent years, I have become primarily an installation artist who creates dimensional work with a variety of materials, processes and spaces. My work is often site-specific or site-responsive … making projects that consider a particular location and/or context. Silicone molding rubber, natural stones, fabric, live plants and gold leaf are a few of my favorite mediums. In between larger projects, I love taking up the process of watercolor painting and have an ongoing series based on bubble wrap packaging material.

Jeff Ruprecht is a curious guy who’s not afraid to jump into new things. He tells us how he sorts through a constant stream of ideas and projects.

J.R.: I work in many mediums and categories. I’m a graphic designer first, but I consider myself a “maker” at heart. I love to build things, make things, sketch things. I love technology, but love true craftsmanship and ways of doing things.

Eric Helland makes things from natural materials. His work shows off the beauty in the texture and grain, and also in the imperfections and missing chunks.

E.H.: I’ve always dabbled in art starting with drawing as a kid, experimenting with glass in my family’s glass shop in Southern Minnesota, and photography after moving to Duluth. Eight years ago I made my wife a free form wooden bowl and a sofa table and have been working with wood ever since. Being self taught my technique is always changing and I’m forever seeing what I can do differently. Many people prize exotic woods but I think we have beautiful prime woods right here in the Northland. I like finding my own wood and seeing it in its original form, allowing the individual piece of wood to determine what the end product will be instead of having a preconceived idea when I start. Seeing what hidden grains and patterns I can reveal in the wood is my favorite aspect of this work. My style is always changing but I’m probably best known for my free form pieces, leaving live edges or bark on my lathe pieces, incorporating antler into my pens, and working with burls.