Brian Barber, “Cat Portrait”

Some vivid reminders this week that memorials can take many forms- anything from the solemn to the absurd. It’s good to recall our histories, our milestones, and our experiences with due reverence at times, and at others with some humor and an ironic distance.

Charlie Danielson, untitled

In an age of dire news the term “permaculture” may seem optimistic. Still, what might have been the province of raving hair-shirts not long ago now looks to be among our sanest alternatives to hegemony. Permaculture is an organizing principle of practices that assert systemic, creative approaches to the reuse of natural resources to sustain both people and native animals on a local scale. The Arrowhead is fortunate to have a concentration of people at the forefront of this movement, and the attached links are well-worth following.

Aaron Reichow, untitled

Oft sought, seldom found, more often induced. Still, when genuine… It might not be apparent, but our lead image this week by Aaron Reichow was shot at the circus. Amazing that amidst all of the tumult that this child managed to tune all else out. There’s something axiomatically spiritual in that, I think.

Ann Klefstad, “Anclote bed”

Some new work this week, and  favorites from seven months of moderating this virtual agora. Next week’s theme will be “whadya’ do last week” because I’ve heard there’s some sort of festival hereabout; “homespun,” “homeslice…” something like that.

Kip Praslowicz, untitled

When I announced the next week’s theme to be “bed,” I certainly did not intend that to be singular- that Kip Praslowicz would represent the only submission at hand. However, it does now occur to me that our artistic community might be reticent regarding anything that resembles prurience, at least publicly. Lesson learned, beloved new home.

Hansi Johnson, untitled

I’ve heard there is an austere beauty to deserts, though I have never lived in one. Still, I can’t imagine, being from the North, a landscape without trees, or being without their practical, aesthetic, poetic, mythical, and allegorical implications — all there is of oxygenation, fuel, foliage, building, climbing from our simian origins, tree of life, the axis mundi, tree of knowledge…

Zach Kerola, “Marcus

This week’s feature is somewhat scant due to fewer than usual submissions. However, the several photos that did arrive were clever, imaginative interpretations of our theme (in particular, Cheryl Reitan’s take on underwear, or lack thereof). Next week’s theme will be something else we’re all acquainted with, although possibly less bashful about exhibiting- “trees.”

Kip Praslowicz, “Basement- Silver City”

I would have found this week’s theme of sanctuary difficult, because to me the idea involves something more comprehensive. How do you take an image of an intangible concept like a community, comprised of myriad people and places where you feel secure and able to be your best self, and supported even when you occasionally fall shy of that measure?

Aaron Reichow, untitled

Well that was abrupt. Two weeks ago I was freezing in Two Harbors, knee-deep in snow. This week there is an impromptu river running down 3rd West, and I sunned like a seal on the rocks of Observation Hill. Truthfully, it has made me immoderately crazy; grateful, but yes, kinda unhinged (bonus points this week to Aaron, whose image featured above includes a meta-Narum).

Zach Kerola, “Cloquet Street”

“…” (ellipsis) from the Ancient Greek αποσιωπητικά, élleipsis, meaning “omission” or “falling short.”

I realize that our current theme was a somewhat pedantic exercise, but am very gratified by the varied and imaginative responses represented here. I believe that good art should challenge us, and not merely pacify us with prettiness or virtuosity. That’s not to say it should be shrill, just that it asks us to look further into what image makers, authors, poets… any artists are trying to communicate, because they do so at an often incredible cost.

Kip Praslowicz, untitled

So this Winter hasn’t exactly been last year’s Jack London-esque death struggle. Still, there were moments of peril, and others of extreme, austere beauty. While only visiting in 2013, I wrote something that seems even more true now from this present vantage: “You begin to gather that after the few idyllic months Minnesotans are given, and the many more less-so they’ve chose to endure, that an energy accrues which begs release.” I think we’re due for a blowout.