November 2019 Posts

Breaking the Law

All names in this story have been changed. You know, just in case.

In my hometown of Petersburg, Alaska, there is one road that stretches from one end of town to the other, traversing but not circumnavigating the island on which my hometown is located. I think generally people tend to think of islands as little round circles of land in the ocean, which one might conceivably drive around and around forever, like a brass ball in a roulette wheel. But that’s not how things are, and islands are often shaped inconveniently, or pockmarked with gigantic mountains or bodies of water or even volcanoes, which can make logical traffic accommodations wacky. Anyway. In Petersburg, the road goes from one end of the long, arrow-shaped island to the other. This straight-line trajectory has even led locals to refer to driving toward the rural end of the island as “going out the road.” Interestingly, the city limits do not extend to the end of the road, but rather, end some several miles earlier. This means that the city police cannot legally enforce the law beyond those city limits, creating a kind of rogue, lawless wilderness on one end of the island.

This is, as you can likely imagine, terrific news for teenagers.

R.I.P. Merritt Park Recreation Center Building

This week the field house at Merritt Park joined the growing list of historic West Duluth buildings demolished in recent years. The 2,016-square foot building was constructed in 1939.

Selective Focus: Lance T. Karasti

Lance Karasti has been making independent films for several years, experimenting with techniques for shooting, writing and different ways of approaching the entire filmmaking process. He’s an active enthusiast in the arts in town, and he’s preparing for another variation in style and process for his current project. This week he tells us about his films, and his fundraising campaign.

LTK: I am an independent feature filmmaker. I am currently developing a style of filmmaking called “hypernaturalism.”

I started developing this style halfway through shooting my 2016 project Artificial. Artificial was being shot with a traditional process but I found myself rewriting the scenes every morning before shooting. By the halfway point I just told the actors to stop worrying about the scripts and be prepared to come up with stuff on the spot. While a part of this was due to realizing a lot of my written dialogue was amateur, it was mostly because it had become necessary for the authenticity of the narrative. As written, the film was about stuff I didn’t know and hadn’t experienced. The process of shooting it was like adapting it into something honest and reflective. Rewriting the scenes everyday had caused me to change the course of the film so much that completely improvising was the only way to adapt to the thematic shifts.

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