Five months before COVID-19 was labeled a pandemic, on a Saturday night back when people gathered together in public places to goof off, I drove from Duluth to Superior to attend an event called “Soup ’n’ Slides” at a place called “The Barbershop.” It might be helpful for me to explain both of the quotation-marked things.

The principal purpose of the event was for a fellow named Nik Nerburn to artistically project a bunch of 35mm slides he had found onto two screens while musicians Alan Sparhawk and Allen Killian-Moore sat nearby, collaborating to provide a live soundtrack to the slideshow. Three pots of soup simmered in the next room for anyone seeking nourishment. Put those elements together and we have “Soup ’n’ Slides.”

The event was held in an old barbershop on Belknap Street that was being used as a music and arts venue at the time simply because no one had been using the space to cut hair for profit. One room had about 20 folding chairs in it, assembled facing the performers who were set up against the back wall. The next room was about the same size, but acted as sort of a lobby. A considerable collection of phonograph records surrounded the small huddles of soup eaters engaged in casual discussion, so that they might at any moment flip through the assortment of albums and change the subject of conversation to the 1983 film D.C. Cab after gazing at the sneering Mr. T on the original motion picture soundtrack cover. And that’s what “The Barbershop” was all about.